{"A4 tuning (Hz)":"A4のチューニング（Hz）","also written {0}":"別表記: {0}","at 343 m/s, about 20 °C":"343 m/s、約20 °Cで","Augmented":"オーグメント","Chord":"和音","Chords":"和音","Circle of fifths":"五度圏","Common tunings":"一般的なチューニング","Degree":"度","Diminished":"ディミニッシュ","Dominant seventh":"ドミナントセブンス","Ear training":"聴音トレーニング","Enter a note name with its octave, such as A4 or F♯3, or a frequency from 8 to 20,000 Hz.":"A4やF♯3のようにオクターブを付けた音名、または8～20,000 Hzの周波数を入力してください。","Equal temperament divides the octave into 12 equal semitones, each a factor of the 12th root of 2, about 1.0595: f = A4 × 2^((n − 69) ÷ 12), where n is the MIDI note number. Concert pitch is A4 = 440 Hz; some orchestras tune to 442 or 443, Baroque ensembles to 415. Middle C is C4, 261.63 Hz.":"平均律では、オクターブを12個の均等な半音に分けます。各半音は2の12乗根、約1.0595倍です。f = A4 × 2^((n − 69) ÷ 12)で、nはMIDIノート番号を表します。基準音はA4 = 440 Hzです。オーケストラによっては442または443、バロック楽団では415にチューニングします。中央のドはC4、261.63 Hzです。","Exercise":"練習","Frequency":"周波数","Going clockwise, each key is a perfect fifth above the last and adds one sharp; anticlockwise, each is a fifth below and adds one flat. The inner ring shows each major key's relative minor, which shares its key signature. At the bottom, F♯ and G♭ (and B and C♭, D♭ and C♯) are the same keys spelled two ways.":"時計回りでは、それぞれの調が直前の調より完全五度上になり、シャープが1つ増えます。反時計回りでは、五度下になり、フラットが1つ増えます。内側の円は各長調の平行短調を示しており、調号を共有します。下部のF♯とG♭（およびBとC♭、D♭とC♯）は、表記が異なる同じ調です。","Include":"含める","Intervals":"音程","It was {0}, from {1}":"{1}からの{0}でした","Key signature: {0}":"調号: {0}","Keyboard: A to ' play the first eleven bars from C, and Q to R the top four.":"キーボード: Aから'でCから最初の11小節を、QからRで上の4小節を演奏します。","Major":"メジャー","Major second":"長2度","Major seventh":"長7度","Major sixth":"長6度","Major third":"長3度","MIDI note {0}":"MIDIノート{0}","Minor":"マイナー","Minor second":"短2度","Minor seventh":"短7度","Minor sixth":"短6度","Minor third":"短3度","Nearest note":"最も近い音名","Neighbours: {0} and {1}, one sharp or flat away; the I, IV, and V chords are the three major keys side by side on the wheel.":"隣接する調: {0}と{1}はシャープまたはフラット1つ分離れています。I、IV、Vの和音は、円盤上で隣り合う3つの長調です。","Next question":"次の問題","no sharps or flats":"シャープもフラットもなし","Note to frequency converter":"音名から周波数への変換","Note, such as A4, C#5, or Bb3, or a frequency in Hz":"A4、C#5、Bb3などの音名、またはHz単位の周波数","Notes":"音名","Octave":"オクターブ","Online xylophone":"バーチャル木琴","Perfect fifth":"完全5度","Perfect fourth":"完全4度","Period":"周期","Play":"再生","Play again":"もう一度再生","Play downwards":"下向きに再生","Press next question to hear an interval, two notes one after the other, or a chord, then pick what you heard. Start with a few that sound very different, such as a major third and a perfect fifth, and add more as you get them right. Many people learn intervals by the start of a familiar tune, such as Here Comes the Bride for a perfect fourth.":"「次の問題」を押すと、音程、連続する2つの音、または和音が聞こえます。聞こえたものを選んでください。まずは長三度と完全五度のように、音の違いがはっきりしたものを少数から始め、正解できるようになったら追加していきましょう。多くの人は、完全四度なら「Here Comes the Bride」の冒頭のように、聞き慣れた曲の出だしを使って音程を覚えます。","Right: {0}":"正解: {0}","Scale: {0}":"音階: {0}","Score: {0} of {1} · streak {2}":"スコア: {0} / {1} · 連続正解{2}","Skip":"スキップ","Tritone":"三全音","Two octaves of a C major scale, from C5 to C7, the range of a children's glockenspiel or the top of a xylophone. Each bar is synthesised as a struck bar: the note itself with a quickly fading overtone three times higher, a twelfth above, which is how xylophone bars are tuned and gives them their bright click. Tap the bars, or play with the keyboard.":"C5からC7まで、C長調2オクターブ分の音域です。子ども用鉄琴や木琴の高音域に相当します。各音板は、叩いた音にすぐ消える3倍高い倍音（12度上の音）を加えた、打楽器の音として合成されています。これは木琴の音板の調律方法で、明るくカチッとした音になります。音板をタップするか、キーボードで演奏してください。","Wavelength in air":"空気中の波長","Xylophone bars":"木琴の音板","{0} cents":"{0}セント","{0} major":"{0}長調","{0} major and {1} minor":"{0}長調と{1}短調"}